Clare Morgan

My creative journey began over twenty years ago, when during my Fine Art degree I found myself drawn to printmaking. Something about the process, the way an image slowly unfolds through layers of ink and carved lines, resonates with me. I appreciate the patience it requires and the way it encourages a mindful approach to creating. It’s a process that continues to hold my interest, and I find a lot of satisfaction in the gradual reveal of each print.

My linocuts celebrate the profound connection between humanity and the natural world. Inspired by the Arts & Crafts movement’s emphasis on handcrafted artistry and its rebellion against mass production, I find solace and purpose in the slow, deliberate craft of carving and printing. In a world saturated with fleeting digital experiences, I seek to create tangible, enduring works that resonate on a deeper level.

The ebb and flow of the seasons, the resilience of flora, and the simple act of connecting with the earth are constant sources of inspiration. I’ve found respite and healing in the natural world, particularly after periods of disconnection, and this deep appreciation for nature’s restorative power permeates my work.

My visual language is bold and vibrant, designed to capture the dynamic energy of the natural world. I employ contrasting colours to make the imagery “”pop”” on the paper, and through meticulous line work, I sculpt three-dimensional forms, imbuing my subjects with a sense of life and movement. The carved frames that often surround my subjects attempt to contain the organic forms, yet these forms inevitably push beyond their borders, symbolising growth and the uncontainable spirit of nature.

The process of carving and printing is a meditative practice, a dialogue between myself and the material. Each mark I make is a response to the previous one, allowing the image to emerge organically. I intentionally leave the “”chatter”” of my carving tools, the marks that testify to the hand-made process, creating a sense of movement and vitality. This visual language mirrors the ever-changing nature of life, a constant reminder that nothing remains static.

My intention is not to dictate meaning but to create a space for connection. I hope that viewers will find in my linocuts a sense of peace, joy, or reflection, a resonance with their own personal experiences and stories. Ultimately, the viewer completes the artwork, bringing their own unique perspective and interpretation. My art is an invitation to slow down, connect with the present, and find beauty in the fleeting moments that make up our lives.

Winner of the Surface Gallery Award (2019)
Winner of the St Cuthberts Mill Award (2024)